Deleuze and the Fold: A Critical Reader by Sjoerd van Tuinen, Niamh McDonnell

Deleuze and the Fold: A Critical Reader Sjoerd van Tuinen, Niamh McDonnell ebook
Format: pdf
Page: 256
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ISBN: 0230552870, 9780230552876

LP: Of course, as with any claim about a turn it is possible that topology mainly becomes just a new order-word, an intellectual checkpoint that homogenizes critical thought. Instead, I intend to engage in a Deleuzian becoming-machine: I wish to see what happens when I try to take seriously the flows of disconnected elements, moments, and happenings set into touching and aligning action by, and perceived by, .. [5] Briefly, though, we can note here that through their critical dismantling of canonical works, the interventional, viral poetics of Mac Low and Cage – along with work by William Burroughs, Kathy Acker, Susan Howe, Vito Acconci, Antoine Deleuze's important reading of Italian playwright Carmelo Bene, “One Manifesto Less,” provides a highly suggestive exposition of stuttering as a species of intertextual praxis or performativity, and one that can usefully illuminate Bergvall's poem. [2] Gilles Deleuze and Felix Guattari, Anti-Oedipus: [15] See François Zourabichvili, “Six Notes on the Percept (On the Relation Between the Critical and the Clinical),” in Deleuze: A Critical Reader, ed. Within Deleuze's baroque 'house', physical matter drags the soul down into the world of the flesh. The two-leveled world can also be associated with the realms of the flesh and the soul. Deleuze's notion of the fold specifically had been adopted in digital architecture such as in the work of Greg Lynn and others, whereby Leibniz' s differential calculus is re-articulated to discuss the importance of the curve over the line in digital aesthetics. Deleuzian Trajectories: Mappings for a Contemporary Social Ethics. [ vi] Anthony Vidler (2000: 223) picks up on the architectural fantasy of the monad, and critiques Deleuze's reading, pointing to the «interior» position of Leibnitz's fold, not the transgressing principle of Deleuze's generative play. Theory As Party-Starter: When Deleuze Becomes Antisocial. [1] See Charles Stivale, “Appendix: 'How Do We Recognize Structuralism',” in The Two-Fold Thought of Deleuze and Guattari: Intersections and Animations (New York and London: The Guilford Press, 1998), 263. Many a time, the readers of Deleuze have had the opportunity to notice that his critique of the Law and his desire to be done with judgment (pour en finir avec le jugement) are often followed by an appeal to the art of jurisprudence. The characterisation of baroque architecture as 'Jesuit' leads back to the arch-classicist and style historian Quatremère de Quincy, who, as a disciple of Wincklemann, was highly critical of any art and architecture since the Renaissance.